Univerzita Tomáše Bati ve Zlíně
In Andrea Malinova’s photographic project, she refers to nature as a human experience to performances in landscape, which took place in 1960s and 1970s. Her approach is technically precise. To generate the feeling of spontaneity and emotionality, she is not using the imperfections of photography such as a blur or material defect which are very common means to achieve exactly that. In the tradition of renaissance portraiture, Andrea Malinova pushes the sensual impression into the domain of abstract beauty. Individual, unshareable perception of reality remains hidden.